OOC - This post acts for both Claude Lambert and Myk
The silhouette of the skyline pierced through the cool glow of the horizon like a jagged mountain ridge, yet a million jewel-lights caused the dense mass of skyscrapers to glisten like a galaxy. Despite the time of night, the hustle and bustle never quite came to a halt in Harper Rock. The city's residents were off for a movie, to chill out in a smoky jazz bar downtown, or to seek their thrills in a club of choice - though, those were just the mentionable activities of the humbly
mortal persuasion. Life had carried on as if the threat of imminent death did not haunt their shadows or linger in the doorways of their family homes and love nests. What had happened to the people living around Wickbridge, River Rock, and Redwood was no real concern of theirs as they tucked their children in for the night or savoured their expensive lattes. Besides, the government was taking care of the problem now, weren’t they.
Claude could have chosen such a life once, but those paths had closed a long time ago and he could hardly pretend to blend in amongst those people now. There had been points in his journey when the roads before him had branched out beyond a multitude of choices and he had taken the one less travelled by - an effort to separate himself from the herd. There had also been points in his journey when the roads before him had crumbled beneath his feet, forcing him down avenues that revealed unexpected treasures and challenges. And all of those roads had converged at this juncture; bringing him to a quiet cemetery and to a crypt where a pair of sentient gargoyles guarded empty secrets.
Perhaps he should have appreciated the downtime and company for the rare gifts that they were meant to be. After all, he had painted them as such when he’d convinced the Telepath to join him for tonight’s festivities. While he hadn’t shared his ulterior motives with the Vampire beside him - or even a whiff of any kind of a plan beyond drinking and having a good time tonight - those pewter eyes had regarded him suspiciously nevertheless. Myk had also adopted a standoffish attitude: rejecting any kind of physical contact, turning his nose up at suggestions that would have otherwise made him grin from ear to perfect ear, and outright criticising any gesture of romantic behaviour. Although there might have been many other reasons behind the white-haired man’s sour mood, a guilty conscience channelled the German’s thoughts down a single avenue. The only solution would be to continue to play pretend: be amicable, do not cause a fuss, and keep the Telepath as pleased as punch.
“Well, you do look incredible once again,” Claude said quietly, ardently, as he leant in toward his lover’s arm.
The Telepath leered at him, those pewter eyes made a short circuit from the Blood Thief’s toes to his head, and then returned to looking at the scenery. Claude managed to restrain a sigh, albeit barely. Of course Myk looked incredible in Claude's eyes. The Vampire had taken the mandatory 1920s theme and twisted it into something macabre and sensual. For most men, it would be easy enough to don a pinstripe suit or a tuxedo, pick out a fancy dress shirt and a necktie, perhaps squeeze into a set of suspenders, and pull on a pair of shiny brogues. And since Peaky Blinders and Boardwalk Empire had become phenomenons of success not too long ago, there would obviously be no shortage of gangster-inspired outfits. If Claude had to compare the Telepath to anyone on the silver screen, he might consider Robert Redford or Mia Farrow in
The Great Gatsby (1974), but only because they each wore white in the 1920s fashion. After that, the similarities were as estranged as sand dunes and ice fishing.
Once again, the Telepath straddled the line between genders with his ensemble, hair, and make-up. He wore a floral-lace shirt which was tucked neatly into an embroidered corset and tapered trousers, along with a pair of laced high-heeled boots and an assortment of accessories. Myk was hardly going for subtle as even his hair - which had been braided into a thick knot and hung down his left shoulder to his stomach like an homage to
Frozen’s Elsa - was bejewelled with pearls and crystals. His shirt had extravagant pearl embellishments along its tight collars and crystal-clear sequins traced the contours of its ballooning sleeves. Even his trousers were glistening with pearls that had been appliqued to a sheer, iridescent voile in a crosshatch pattern. And of course his earrings, hand jewellery, and rings were encrusted with pearls and diamonds too. So, not only did the Telepath sparkle as he moved, but he jingled a little as well.
Claude’s outfit wasn’t quite as ostentatious as his companion’s, but he had made the effort. The Blood Thief had taken one of his favourite navy suits from Carlo Pignatelli’s 2019 Cerimonia range, dusted it off, and slipped comfortably inside its viscose skin. It had been tailored precisely to his measurements and despite the many, many months that it had sat - forlorn - in his enviable wardrobe, he hadn’t outgrown the piece. To accompany the three piece suit with its white shirt and silver blazer and tie, Claude wore a pair of personalised cufflinks, a crystal brooch, and a pair of black leather wingtip Oxfords. His hair had been brushed back into a chestnut wave, creating a smart and clean appearance all around. Despite the sharp, crisp lines of his attire, Claude felt comfortable and confident - as relaxed as one might feel donning their underwear at home.