Although the lead Swan makes his appearance mostly in the second act, barely to to be seen in the first, Blaize was not at all perturbed. The role of the Prince had never appealed to him; the man was weak, as far as Blaize was concerned, often in emotional turmoil. The Swan, on the other hand, had authority. He had gravitas. He had a presence that overtook the stage, with fierce alpha overtones. The lead swan was the strength of the performance, and the most coveted role. All Blaize’s gruelling training had led him to this -- eight hours a day, six days a week. It showed in the way his muscles flexed, in the way he could leap the stage in effortless bounds.
For the weeks leading up to the opening night, they’d done smaller performances here and there - out on the street, and in smaller vendors. Snippets, to rustle up the interest of the public.
Saturday nights were mostly Blaize’s nights off -- the nights that he would sometimes allow himself to get completely wrecked, and Sunday to sleep. Only sleep. If Swan Lake was an allegory for mental illness, then Blaize was a perfect student; he was steadily heading down a winding path that he was sure he was going to get lost on, and he would never find his way back. Friendships were sacrificed for his career. Relationships were non-existent. His family supported him; they invited him to dinners and lunches and birthday parties and though he sometimes made an appearance, they’d grown accustomed to his distance.
These rebel weekends were enlightening. The nightlife was peculiar. Vampires -- oh, yes, he knew about them. Fascinating creatures, dangerous creatures. Blaize had the common sense to keep his distance, especially after one close encounter that left him with a tiny scar on his upper lip.
It added character.
But even the knowledge of the supernatural couldn’t sway Blaize from his course. Dancing was his life; it showed in the way he walked, even when he got drunk and fell. Every move he made was grace epitomized.
And here he was, opening night; it was a Friday, and it was a full house. Sold out. No tickets at the door. Blaize could hear them, chattering out in the audience; he heard the hush when the house lights went down, and the mournful clarinet signalled the slow ushering of the stage lights. Blaize remained in the dressing room; he dressed in the faux feathered tights. He applied the white powder to his face, and only a little to his neck, chest, and arms. The tattoos had been professionally covered (swans didn’t really have tattoos now, did they?) Leading up to the show, he was told it would be better if he did not get a tan -- the whiter the better. His platinum hair was slicked back with the white paint, the black paint sliced down the middle, a sharp point leading down his nose. Intense blue eyes were smudged with black, the effect striking.
Act two, Scene One. The Prince’s suicide attempt is interrupted by the swan; by Blaize, who bursts onto stage, the music swelling to accommodate the leaps and twists he performs around the confused and fascinated prince.
Now, in his element, Blaize is not Blaize. Blaize is the Swan, down to the core.