(Day of Broken Glass) Burn
Posted: 18 Nov 2015, 05:09
The bright beam of the tiny flashlight flickered slightly and then straightened out as Stryge d'Artois gripped it more tightly between his front teeth. These weren't ideal working conditions, but Stryge wanted to conserve the fuel in the portable generator, and he could hardly have taken his work out into the harsh light of day. Not without catching a sunburn from hell.
Stryge worked in silence, and alone. No one knew he was here. Even members of his own vampiric family rarely knew where it was Stryge got to in the course of his nightly wanderings, but they probably would have been surprised to discover the truth of where he had been going for the past month.
It was just over a month ago that Stryge had stumbled across the old deserted multiplex. He had been out tracking zombies in the Quarantine Zone. The walking corpses permeating that area were his preferred target for practice shooting, as their movements tended to be erratic, just like a live target's would be. Stryge hoped never to have to use his shooting skills on a real live target, but he had a feeling, deep inside, that one day he just might. The life of a vampire offered more, not less, opportunities for such violence. Humans didn't like vampires. Vampires didn't like humans finding out about vampires. And some vampires just seemed to dislike each other on general principal. In other words, all the sins of their past lives as mortals had been carried with them into undeath and then some. Vampires were nothing if not humans with their vices amplified.
So Stryge dealt out a permanent rest to the restless spirits of the Quarantine Zone, and, in the process, worked on his aim. But doing so had also lead him to further explore this part of town, formerly know to locals as Gambondale, in search of new prey, and in the course of those explorations, one of his discoveries had been this abandoned movie theatre. Like most of the buildings in the Quarantine Zone, the cinema was a shell of its former self; with the power shut off, wallpaper peeling from the walls, and a general scent of mildew and decay permeating the premises, it was not an inviting place to spend anymore time than one had to. It was also, of course, teeming with zombies. This had been Stryge's initial draw to explore the building further, and he had, over the course of two nights, effectively dispatched them all to whatever existed for zombies beyond death's door. As Stryge personally did not even believe such a prospect was possible for human beings, he didn't put much thought into it. Then again, Stryge had never been to the Shadow Zone.
The multiplex had two wings and a total of ten theatres. It was upon opening the door to Theatre number Ten that Stryge had made a rather unpleasant discovery. Based on the descriptions provided to him by his sire, Pi d'Artois, Stryge could only assume that the abomination which he was viewing was what was known as a "mooncalf." Perhaps other vampires were strong enough to take on such a creature, but Stryge knew a fledgling as freshly turned as himself would be ripped to pieces if he had the misfortune to venture within grabbing range of those hideous appendages. As luck would have it, the monstrosity was shambling about at the very end of the aisle near the front row of seats, and therefore Stryge was able to see it before it saw him. With haste he had closed the door to the theatre, and had spent the rest of that evening finding objects such as the now defunct popcorn machines with which to prop the door to Theatre 10 shut, hopefully permanently. Which at that point really should have been the end of Stryge's adventures in the multiplex. The Quarantine Zone certainly offered a plethora of other abandoned buildings for the shadow vampire to explore.
But the very next night he was back. To what end, he couldn't really say. At first it was perhaps just to see if there had been a stray zombie which he had missed. Perhaps even to see if the mooncalf had escaped its new prison. (It hadn't). However, the fact was that Stryge had always loved movies, and he quickly came to the realization as he spent yet another night tromping through the nooks and crannies of the cinema that this was the interest which was driving his curiosity. So he poked around behind the concession stand. He inspected invoices and bills in the manager's office. He found the room where the film cans were stored. The so-called "plague" had struck Gambondale around 2011, and so he was not surprised that the film cans were a time capsule of this particular year in cinematic history. Thor. The Artist. The last Harry Potter movie. Huh. Not a terrible year for movies, Stryge thought to himself.
The titles brought back memories of more than just the films themselves. 2011 had been such a different time for Stryge as well. Back when he was still Stuart Ryan Giger, young, rich, and living in Houston. Back before the tragedy which had compelled him to desire the taking of his own life. That desire had ultimately brought him here to Harper Rock. It had brought him to the attention of a vampire, Pi, who had decided that she wanted him to be a part of her family. He been young and stupid in 2011. But at least his hands had still been clean, back before Stuart had killed a man. It had taken becoming a vampire to somehow move Stryge past this ugly fact, and allow him to continue on with his life; a life that, presumably, would now last for a very long time.
On the fifth night, Stryge had inspected the projectors. On the sixth, he brought the portable generator, used some clever rewiring to hook up the projector to the genny, and with great expectations, flicked the projector on. His expectations were dashed as he discovered with surprise and dismay that the damn thing was no longer working. Testing out the projectors in the other eight theatres proved that time had not been kind to any of the machines. Some had wiring issues resulting from moisture getting in, others had damage from who knows what kind of goings on since the government locked Gambondale down. Stryge didn't even bother testing the projector in Theatre 10. No sense getting the mooncalf all worked up, and the irony if that had ended up being the only working machine in the whole multiplex might have been just too much for the Texan to bear.
Stryge did not return to the cinema or the Quarantine Zone on the following night. Instead, he spent his evening on the desktop computer which resided in the Canidae Den, poring over schematics and information about the workings and repair of movie projectors which he had found on the internet. The next time he returned to the movie theatre, he was armed with both knowledge and a toolkit, and he went about finding the projector with what appeared to be the least amount of needed repairs. It ended up being the one in Theatre 5, just to the left of the lobby. Stryge set to work. And he had continued to work nightly from that point on, only occasionally taking breaks to scour the city for necessary parts.
Stryge could not say to what purpose he had been driven to go to all of this trouble. It wasn't as if he couldn't have simply use a myriad of travel options, mystic portals among them, to arrive at one of the fully functional movie theatres in Harper Rock. Or, for that matter, simply stayed at home and watch Netflix. Perhaps it was his deep love for the magic of the movies, and how he could feel himself connecting to that magic and becoming a part of in the act of repairing this projector and once more throwing shadows upon that darkened screen. Perhaps it was just the act of fixing anything, an act of contrition masked as an act of creation, in contrast it seemed to all he had been doing since his turning, which amounted to nothing but acts of destruction. Whatever the reason, the hard work he had put in to the machine was about to reach its culmination. Tonight as Stryge tightened the final screw on the motor casing he had replaced, and closed the door to the compartment in which it was housed, he felt a sense of satisfaction so overwhelming, that he honestly couldn't recall when had last felt this good, or, in some ways, complete.
Over the course of the past month, Stryge had taken breaks from his repair work by sorting through the film cans that remained in the deserted multiplex for something worth watching. The damage and decay that the projectors had endured was in evidence ten fold on the fragile film stock, and most of the movies had been rendered unsalvageable. Most of what remained after that was not worth the effort he had put into this venture. Seriously, how many of those god awful Transformers movies were there? It was just Stryge was getting close to completing his repairs that he had stumbled across a film that showed some actual promise. The canister simply said Drive. It was a movie Stryge had heard of, but had never actually seen. He felt like this one was the right one to inaugurate his newly functional projector, even if it did star that guy from The Notebook in it. But after all, it wasn't like he was going to stumble across an intact copy of Casablanca laying around in this joint.
Drive was already spliced and loaded up onto the projector when Stryge took a deep breath (an involuntary reflex, of course, as he no longer needed to breathe) and flicked the switch. That incredibly hot white light that only a movie projector can create beamed through the tiny window and out onto the movie screen. Stryge had taken the precaution of replacing the bulb just to be sure. He gave a short "Whoop!" of success as pure brightness was quickly replaced by the title screens of the movie itself. Stryge had not bothered to splice any previews onto the film reel, and so he had to quickly make his way out of the projection booth and into the theatre proper in order to get situated for his first viewing, a sort of sedentary victory lap. Finding a seat toward the middle of the theatre that didn't look either shredded or moldy took some effort, but within a minute Stryge got himself situated. The bright lights which fell upon the movie screen revealed to Stryge for the first time all of the imperfections and tears that had formed there over the years, but the vampire was so elated by his success and the prospect of watching the movie that he didn't even care.
The film itself exceeded all expectations. Stryge found himself enraptured with the story of the misguided but noble stunt driver and his battle with underworld criminals, who were threatening a young mother and her son. In many ways it was classic cinema that hearkened all the way back to Stryge's childhood, right down to the very 80's synth driven soundtrack. As the doomed hero had his final confrontation with the mob boss, Stryge didn't even notice how sleepy he himself had become. Which was not at all surprising. Outside of the darkened theatre, the sun had rose over thirty minutes ago. In his delight, Stryge had completely lost track of the time. On the screen, the hero drove off into the sunset, a blood pouring from a mortal wound which he had suffered at the hands of his enemy. In the theatre, Stryge slept.
Stryge dreamt of dark clouds and storms. As he watched thunderheads form, he knew the storm was approaching, coming straight for him in fact. He knew this because he could hear the thunder. It was getting louder and louder. So loud that it woke him up. With a start, the vampire jerked back to consciousness in his seat. The theatre was now once more in complete darkness, the projector having eventually turned off when the gas from the generator ran out. Stryge worked hard to pull his mind out of the daytime induced torpor which had overtaken him, trying hard think straight and get his bearings. He knew instinctively that he needed to get home right away, to get back to the safety of his apartment in Sanctuary. He reached for his tome, and realized with growing unease that he had left it back in the projection room. Stupid! Even though as a vampire of the shadow path Stryge was naturally attuned to make his way back to the projection room through the darkness of the theatre without an undue amount of stumbling, he still cursed himself for how careless he had been.
And why was he still hearing thunder?
It was in that moment that the world exploded. A burning flash of light erupted before his eyes, and Stryge was thrown the length of the theatre, along with a wall of debris which the force of the blast had converted to deadly shrapnel. He was sure it was not the impact itself, but the earth shattering boom which accompanied it which knocked him out. Stryge could not say for how long he had lost consciousness, but when he finally roused himself, what rose unsteadily from the wreckage was a man in tatters. The black blood of a shadow vampire seeped from both ears and eyes. Based on the piercing pain and the banshee wail in his head, Stryge was convinced at least one eardrum was completely destroyed. His left arm hung limply at his side, dislocated, or broken, or both. The obsidian blood seeped from a thousand cuts and soaked what was left of Stryge's shirt, pants, and jacket, and one of his shoes was now missing completely. If he had been a human, he was sure he most likely would have been killed in the explosion. As it was, Stryge knew all of these wounds would heal eventually, though he wondered simultaneously how much time he had left. Unless the explosion had been the result of some freak occurrence, such as a leaky gas main, the vampire suspected that there were even worse surprises on their way.
The flames from a multitude of burning debris cast an eerie, flickering light through Theatre 5. Despite this, Stryge found himself thankful that there did not appear to be any immediate danger of the building burning down around his ears. The last thing he needed in his current state was to be exposed to the sun. He was also thankful, as he checked the leather holster nestled in the small of his back, to find that he still had the Fareye pistol, a gift from his sire. The precision workmanship of this weapon, he was convinced, was in no small part a contributing factor to his own deadly accuracy when firing it. Knowing that he still had the weapon reassured Stryge somewhat. Flipping open the latch on the holster, he pulled out the pistol and removed the safety. With gun in hand, he ventured towards what appeared to be the source of the blast, a clear patch of daylight that shone through multiple holes busted through multiple walls of the multiplex, like the proverbial light at the end of the tunnel. Though Stryge had no optimism that the idiom would prove to be a positive one in this instance.
Stryge staggered as close as he could reasonably get to the gaping aperture which had replaced the entrance to the multiplex without risking exposure to the sun. As Stryge squinted out into the harsh light of day, he was somewhat taken aback to see that a woman, dressed all in black right down to the ski mask on her head, was running down the street which separated the movie theatre from an abandoned supermarket. She carried an automatic machine pistol of the 9mm variety, and some sort of supply pack. As she ran, she spoke breathlessly into a walkie talkie which she was carrying, "Bravo, this is Alpha. All targets confirmed, begin sweeps!"
At that moment, Stryge found himself acting out of sheer instinct more than anything else. He was hurt, very badly, and all of his instincts were telling him that this woman was somehow the source of all that pain. With no more of a thought in his addled brain than this, Stryge drew down on the woman and fired. "****!" The female explosives expert staggered as the first shot caught her in the leg. "Goddammit! Robert, I'm hit! I'm hit!" Another figure suddenly ran into view, a man, dressed the same as his female compatriot, right down to the matching ski masks. He did not carry a pack like she did, but his gun was noticeably larger, a high-powered rifle, possibly semi-automatic. "Shut the **** up, Alpha! Code names, remember?" He grabbed his companion by the arm and began hurrying her down the street. "Back there, in the movie theatre," Stryge could faintly hear the woman say as the distance between the cinema and his assailants continued to lengthen. The man said something even fainter in response, along the lines of "probably hurt badly...finish him off later." Even as they spoke, Stryge was steadying his aim, preparing shots which would end them both. That prospect was quickly banished, however, by the flaming beam which crashed down right in front of him, knocking Stryge backwards into what was left of the multiplex lobby.
Stryge groaned as pain coursed through his body. Whatever the vampire equivalent of adrenaline was that had gotten him this far was now quickly wearing off, and the effects of multiple severe wounds were catching up to him with a vengeance. From his prone position on the floor, Stryge's head lolled to the side, and he could see all the way down the length of the wing that housed Theatres 6 through 10. Debris from the explosion were strewn about everywhere, though it appeared this wing had not suffered the brunt of the blast the way that Theatre 5 had. However, as Stryge gazed down the hallway in a pain induced stupor, he did notice one thing. It was something which would have seemed at most a trifling detail to anyone other than himself. But to Stryge, it formed the basis of a rising panic to match anything caused by the explosion. Because the force of the blast and the debris had knocked over the various popcorn machines which he pushed to the end of the hallway. And the door to Theatre 10 was now wide open.
Stryge worked in silence, and alone. No one knew he was here. Even members of his own vampiric family rarely knew where it was Stryge got to in the course of his nightly wanderings, but they probably would have been surprised to discover the truth of where he had been going for the past month.
It was just over a month ago that Stryge had stumbled across the old deserted multiplex. He had been out tracking zombies in the Quarantine Zone. The walking corpses permeating that area were his preferred target for practice shooting, as their movements tended to be erratic, just like a live target's would be. Stryge hoped never to have to use his shooting skills on a real live target, but he had a feeling, deep inside, that one day he just might. The life of a vampire offered more, not less, opportunities for such violence. Humans didn't like vampires. Vampires didn't like humans finding out about vampires. And some vampires just seemed to dislike each other on general principal. In other words, all the sins of their past lives as mortals had been carried with them into undeath and then some. Vampires were nothing if not humans with their vices amplified.
So Stryge dealt out a permanent rest to the restless spirits of the Quarantine Zone, and, in the process, worked on his aim. But doing so had also lead him to further explore this part of town, formerly know to locals as Gambondale, in search of new prey, and in the course of those explorations, one of his discoveries had been this abandoned movie theatre. Like most of the buildings in the Quarantine Zone, the cinema was a shell of its former self; with the power shut off, wallpaper peeling from the walls, and a general scent of mildew and decay permeating the premises, it was not an inviting place to spend anymore time than one had to. It was also, of course, teeming with zombies. This had been Stryge's initial draw to explore the building further, and he had, over the course of two nights, effectively dispatched them all to whatever existed for zombies beyond death's door. As Stryge personally did not even believe such a prospect was possible for human beings, he didn't put much thought into it. Then again, Stryge had never been to the Shadow Zone.
The multiplex had two wings and a total of ten theatres. It was upon opening the door to Theatre number Ten that Stryge had made a rather unpleasant discovery. Based on the descriptions provided to him by his sire, Pi d'Artois, Stryge could only assume that the abomination which he was viewing was what was known as a "mooncalf." Perhaps other vampires were strong enough to take on such a creature, but Stryge knew a fledgling as freshly turned as himself would be ripped to pieces if he had the misfortune to venture within grabbing range of those hideous appendages. As luck would have it, the monstrosity was shambling about at the very end of the aisle near the front row of seats, and therefore Stryge was able to see it before it saw him. With haste he had closed the door to the theatre, and had spent the rest of that evening finding objects such as the now defunct popcorn machines with which to prop the door to Theatre 10 shut, hopefully permanently. Which at that point really should have been the end of Stryge's adventures in the multiplex. The Quarantine Zone certainly offered a plethora of other abandoned buildings for the shadow vampire to explore.
But the very next night he was back. To what end, he couldn't really say. At first it was perhaps just to see if there had been a stray zombie which he had missed. Perhaps even to see if the mooncalf had escaped its new prison. (It hadn't). However, the fact was that Stryge had always loved movies, and he quickly came to the realization as he spent yet another night tromping through the nooks and crannies of the cinema that this was the interest which was driving his curiosity. So he poked around behind the concession stand. He inspected invoices and bills in the manager's office. He found the room where the film cans were stored. The so-called "plague" had struck Gambondale around 2011, and so he was not surprised that the film cans were a time capsule of this particular year in cinematic history. Thor. The Artist. The last Harry Potter movie. Huh. Not a terrible year for movies, Stryge thought to himself.
The titles brought back memories of more than just the films themselves. 2011 had been such a different time for Stryge as well. Back when he was still Stuart Ryan Giger, young, rich, and living in Houston. Back before the tragedy which had compelled him to desire the taking of his own life. That desire had ultimately brought him here to Harper Rock. It had brought him to the attention of a vampire, Pi, who had decided that she wanted him to be a part of her family. He been young and stupid in 2011. But at least his hands had still been clean, back before Stuart had killed a man. It had taken becoming a vampire to somehow move Stryge past this ugly fact, and allow him to continue on with his life; a life that, presumably, would now last for a very long time.
On the fifth night, Stryge had inspected the projectors. On the sixth, he brought the portable generator, used some clever rewiring to hook up the projector to the genny, and with great expectations, flicked the projector on. His expectations were dashed as he discovered with surprise and dismay that the damn thing was no longer working. Testing out the projectors in the other eight theatres proved that time had not been kind to any of the machines. Some had wiring issues resulting from moisture getting in, others had damage from who knows what kind of goings on since the government locked Gambondale down. Stryge didn't even bother testing the projector in Theatre 10. No sense getting the mooncalf all worked up, and the irony if that had ended up being the only working machine in the whole multiplex might have been just too much for the Texan to bear.
Stryge did not return to the cinema or the Quarantine Zone on the following night. Instead, he spent his evening on the desktop computer which resided in the Canidae Den, poring over schematics and information about the workings and repair of movie projectors which he had found on the internet. The next time he returned to the movie theatre, he was armed with both knowledge and a toolkit, and he went about finding the projector with what appeared to be the least amount of needed repairs. It ended up being the one in Theatre 5, just to the left of the lobby. Stryge set to work. And he had continued to work nightly from that point on, only occasionally taking breaks to scour the city for necessary parts.
Stryge could not say to what purpose he had been driven to go to all of this trouble. It wasn't as if he couldn't have simply use a myriad of travel options, mystic portals among them, to arrive at one of the fully functional movie theatres in Harper Rock. Or, for that matter, simply stayed at home and watch Netflix. Perhaps it was his deep love for the magic of the movies, and how he could feel himself connecting to that magic and becoming a part of in the act of repairing this projector and once more throwing shadows upon that darkened screen. Perhaps it was just the act of fixing anything, an act of contrition masked as an act of creation, in contrast it seemed to all he had been doing since his turning, which amounted to nothing but acts of destruction. Whatever the reason, the hard work he had put in to the machine was about to reach its culmination. Tonight as Stryge tightened the final screw on the motor casing he had replaced, and closed the door to the compartment in which it was housed, he felt a sense of satisfaction so overwhelming, that he honestly couldn't recall when had last felt this good, or, in some ways, complete.
Over the course of the past month, Stryge had taken breaks from his repair work by sorting through the film cans that remained in the deserted multiplex for something worth watching. The damage and decay that the projectors had endured was in evidence ten fold on the fragile film stock, and most of the movies had been rendered unsalvageable. Most of what remained after that was not worth the effort he had put into this venture. Seriously, how many of those god awful Transformers movies were there? It was just Stryge was getting close to completing his repairs that he had stumbled across a film that showed some actual promise. The canister simply said Drive. It was a movie Stryge had heard of, but had never actually seen. He felt like this one was the right one to inaugurate his newly functional projector, even if it did star that guy from The Notebook in it. But after all, it wasn't like he was going to stumble across an intact copy of Casablanca laying around in this joint.
Drive was already spliced and loaded up onto the projector when Stryge took a deep breath (an involuntary reflex, of course, as he no longer needed to breathe) and flicked the switch. That incredibly hot white light that only a movie projector can create beamed through the tiny window and out onto the movie screen. Stryge had taken the precaution of replacing the bulb just to be sure. He gave a short "Whoop!" of success as pure brightness was quickly replaced by the title screens of the movie itself. Stryge had not bothered to splice any previews onto the film reel, and so he had to quickly make his way out of the projection booth and into the theatre proper in order to get situated for his first viewing, a sort of sedentary victory lap. Finding a seat toward the middle of the theatre that didn't look either shredded or moldy took some effort, but within a minute Stryge got himself situated. The bright lights which fell upon the movie screen revealed to Stryge for the first time all of the imperfections and tears that had formed there over the years, but the vampire was so elated by his success and the prospect of watching the movie that he didn't even care.
The film itself exceeded all expectations. Stryge found himself enraptured with the story of the misguided but noble stunt driver and his battle with underworld criminals, who were threatening a young mother and her son. In many ways it was classic cinema that hearkened all the way back to Stryge's childhood, right down to the very 80's synth driven soundtrack. As the doomed hero had his final confrontation with the mob boss, Stryge didn't even notice how sleepy he himself had become. Which was not at all surprising. Outside of the darkened theatre, the sun had rose over thirty minutes ago. In his delight, Stryge had completely lost track of the time. On the screen, the hero drove off into the sunset, a blood pouring from a mortal wound which he had suffered at the hands of his enemy. In the theatre, Stryge slept.
Stryge dreamt of dark clouds and storms. As he watched thunderheads form, he knew the storm was approaching, coming straight for him in fact. He knew this because he could hear the thunder. It was getting louder and louder. So loud that it woke him up. With a start, the vampire jerked back to consciousness in his seat. The theatre was now once more in complete darkness, the projector having eventually turned off when the gas from the generator ran out. Stryge worked hard to pull his mind out of the daytime induced torpor which had overtaken him, trying hard think straight and get his bearings. He knew instinctively that he needed to get home right away, to get back to the safety of his apartment in Sanctuary. He reached for his tome, and realized with growing unease that he had left it back in the projection room. Stupid! Even though as a vampire of the shadow path Stryge was naturally attuned to make his way back to the projection room through the darkness of the theatre without an undue amount of stumbling, he still cursed himself for how careless he had been.
And why was he still hearing thunder?
It was in that moment that the world exploded. A burning flash of light erupted before his eyes, and Stryge was thrown the length of the theatre, along with a wall of debris which the force of the blast had converted to deadly shrapnel. He was sure it was not the impact itself, but the earth shattering boom which accompanied it which knocked him out. Stryge could not say for how long he had lost consciousness, but when he finally roused himself, what rose unsteadily from the wreckage was a man in tatters. The black blood of a shadow vampire seeped from both ears and eyes. Based on the piercing pain and the banshee wail in his head, Stryge was convinced at least one eardrum was completely destroyed. His left arm hung limply at his side, dislocated, or broken, or both. The obsidian blood seeped from a thousand cuts and soaked what was left of Stryge's shirt, pants, and jacket, and one of his shoes was now missing completely. If he had been a human, he was sure he most likely would have been killed in the explosion. As it was, Stryge knew all of these wounds would heal eventually, though he wondered simultaneously how much time he had left. Unless the explosion had been the result of some freak occurrence, such as a leaky gas main, the vampire suspected that there were even worse surprises on their way.
The flames from a multitude of burning debris cast an eerie, flickering light through Theatre 5. Despite this, Stryge found himself thankful that there did not appear to be any immediate danger of the building burning down around his ears. The last thing he needed in his current state was to be exposed to the sun. He was also thankful, as he checked the leather holster nestled in the small of his back, to find that he still had the Fareye pistol, a gift from his sire. The precision workmanship of this weapon, he was convinced, was in no small part a contributing factor to his own deadly accuracy when firing it. Knowing that he still had the weapon reassured Stryge somewhat. Flipping open the latch on the holster, he pulled out the pistol and removed the safety. With gun in hand, he ventured towards what appeared to be the source of the blast, a clear patch of daylight that shone through multiple holes busted through multiple walls of the multiplex, like the proverbial light at the end of the tunnel. Though Stryge had no optimism that the idiom would prove to be a positive one in this instance.
Stryge staggered as close as he could reasonably get to the gaping aperture which had replaced the entrance to the multiplex without risking exposure to the sun. As Stryge squinted out into the harsh light of day, he was somewhat taken aback to see that a woman, dressed all in black right down to the ski mask on her head, was running down the street which separated the movie theatre from an abandoned supermarket. She carried an automatic machine pistol of the 9mm variety, and some sort of supply pack. As she ran, she spoke breathlessly into a walkie talkie which she was carrying, "Bravo, this is Alpha. All targets confirmed, begin sweeps!"
At that moment, Stryge found himself acting out of sheer instinct more than anything else. He was hurt, very badly, and all of his instincts were telling him that this woman was somehow the source of all that pain. With no more of a thought in his addled brain than this, Stryge drew down on the woman and fired. "****!" The female explosives expert staggered as the first shot caught her in the leg. "Goddammit! Robert, I'm hit! I'm hit!" Another figure suddenly ran into view, a man, dressed the same as his female compatriot, right down to the matching ski masks. He did not carry a pack like she did, but his gun was noticeably larger, a high-powered rifle, possibly semi-automatic. "Shut the **** up, Alpha! Code names, remember?" He grabbed his companion by the arm and began hurrying her down the street. "Back there, in the movie theatre," Stryge could faintly hear the woman say as the distance between the cinema and his assailants continued to lengthen. The man said something even fainter in response, along the lines of "probably hurt badly...finish him off later." Even as they spoke, Stryge was steadying his aim, preparing shots which would end them both. That prospect was quickly banished, however, by the flaming beam which crashed down right in front of him, knocking Stryge backwards into what was left of the multiplex lobby.
Stryge groaned as pain coursed through his body. Whatever the vampire equivalent of adrenaline was that had gotten him this far was now quickly wearing off, and the effects of multiple severe wounds were catching up to him with a vengeance. From his prone position on the floor, Stryge's head lolled to the side, and he could see all the way down the length of the wing that housed Theatres 6 through 10. Debris from the explosion were strewn about everywhere, though it appeared this wing had not suffered the brunt of the blast the way that Theatre 5 had. However, as Stryge gazed down the hallway in a pain induced stupor, he did notice one thing. It was something which would have seemed at most a trifling detail to anyone other than himself. But to Stryge, it formed the basis of a rising panic to match anything caused by the explosion. Because the force of the blast and the debris had knocked over the various popcorn machines which he pushed to the end of the hallway. And the door to Theatre 10 was now wide open.