Mutiny [Pyper]
Posted: 02 May 2014, 14:41
--The following transcript was a live chat roleplay--
<Pyper> Either thumb pecked at the corresponding number. T9. A baffling vomit of sporadic, random numerical sequences. Yet it's something that drew her in. The blonde recalled the patterns of numbers, rather than the letters that created her words. Now, she wrote, "Do we have time?"
<Jesse Fforde> Jesse, feeling oddly restless, had taken to the Quarantine Zone. He'd given all his zombie ears to Ursula, and now he needs more. Micah had asked for some, and for once, Jesse had nothing to give. He didn't like having nothing to give. Zombies are easy. Maybe a little boring, but at least they give him something to do. He takes a half a minute to answer his phone; he feels it vibrate in his pocket, but has to dispatch of the zombie in front of him, before wiping sheathing his weapon and wiping his hands. Only then did he check the text. Pyper. He arches a brow, and responds. "By my calculation, we have eternity."
<Pyper> Pyper nearly asked to see the numerical data to support such a definitive statement. Do vampires really not age, as in some Hollywood movies? Or did their cellular structures endure more time, but ultimately deteriorate until they become nothing more than piles of toxic organic material? Maybe Jesse did know but the explanation would have certainly taken more than a six page limit text. "Eternity is unfathomable. Now is more realistic. Where are you?" Pyper abruptly asked the question, unable to ease into it from the daunting concept of forever. Transitions had never been very important to Pyper.
<Jesse Fforde> Jesse keeps the phone in his hand, sauntering toward the exit of the Graveyard - his blue eyes darted to and fro, keeping a close eye on his surroundings so as not to be caught off guard by some creeper. It would be embarassing, to have his *** kicked by a zombie just because he isn't paying attention. The phone buzzes again, and he finds a spot near the gate - he has his back to it, and a view of everything in front of him. He smirks. "Graveyard. QZ." He responds. He can be equally as prompt.
<Pyper> The door to the asylum always groaned loudly whenever a person came in, or left. Underneath the low rumble, a high octave squeal. Pyper's shoulders came up, neck sinking into the gap that eventually descended to become her torso. Relatively clean by Leah's persistent chatter, her arms held none of the bite marks like before. Her skin had been rubbed raw and without climbing very far into the sewers, remained untarnished by the grime. Phoenix's clothes were too big for her; so settling for the sleep t-shirt and sweatpants panned as the only option. A tie held her hair up. Kinky curls spilled over the bunched hair.
Jesse is an unmistakable character, and being that Pyper only knew so few, he's spotted immediately after she closed the distance from the asylum to the graveyard entrance. "Good.." her eyes dart up to meet with moon, ".. night, Jesse," it didn't make sense to say good morning, or evening. It wasn't either.
<Jesse Fforde> Jesse stands with his shoulder leaning against the brick post of the Graveyard's gate. The iron gates themselves had long since decayed, twisted and broken, laying in the grass at their feet. His own feet are clad in black and white Vans, his legs in a pair of dark jeans, his torso in just a black shirt depicting the tarot card for 'death'. He has one ankle crossed over the other as he waits for Pyper's response, and while he waits, flicking through the thread topics on the Fforde Crownet. He's not expecting Pyper to all of a sudden appear; his head snaps up as she greets him. "Goodnight?" he asks, straightening up. "Normally that's like saying goodbye," he says, followed by: "Hi."
<Pyper> Pyper assumed goodbye was more like saying goodbye. It was why goodnight was selected as a more viable option of greeting. None of it explains why 'hi,' wasn't among that list. A bag swung, skimming over the rumpled looking cotton pants bunched in odd places. A collection of rat tails and zombie ears. The smell aided to keep her motivated to hunt, it reminded her of it when her mind grasped the idea of finding another hunter to maim herself with. Phoenix was already fuming at her hours ago about it. "I didn't have time to bring the pictures. They smeared when I took them hunting. Yesterday. Letting them dry on Phoenix's bed." And how she'll love it.
<Jesse Fforde> Jesse also has a bag slung over his shoulders; a tartan messenger bag. One that he used to use to carry around his sketchbook and supplies, but whicn now has been commandeered to stuff zombie ears and vials of feral blood into. He puts his phone to sleep and slips it back into his pocket, where his hand also remains. He gives a shrug. "That's fine. Perhaps in future keep them in a safe place, rather than take them hunting with you," he says with a smirk. Only then, really, taking notice of Pyper's attire - it's curious, to be sure, but he supposed it would be up to one of the girls to get her some better clothing. Still. "Is this your hunting get-up?"
<Pyper> To Pyper, Jesse gave the external evidence for her to conclude he always adorned that smile. It's crooked, like one side got lazy in its posture and went slack. It wasn't a displeased expression, not from the ones other have worn in the past around her. She took his advisement under vague consideration; in order to do that in the future, the blonde was required to draw more pictures. These last two nights taught her that sitting still wouldn't be tolerated. "Get-up?" Amid her forefinger and thumb, the t-shirt's pinched and stretched out from her form. Let go, it bounced back into place. A minute tent as remaining evidence of what she'd done. "I had no clothes. Phoenix's throwaways."
<Jesse Fforde> Jesse gives a nod. A slight curious frown. There's something about Pyper - like she wouldn't particularly care too much what she looked like, or even realise that others might judge her for it. It is endearing, in a way. She doesn't care. It's not a practiced and adopted philosophy, however, but seems more like... she doesn't care because she just doesn't know. Blissful ignorance. He had an image of Phoenix just throwing old clothes at Pyper - he had to shake it from his head. Surely not. His nod is slow. "You should get one of the girls to take you shopping. I'm sure they'd be up for it," he says.
<Pyper> If she had a shirt and pants, why would she go and pay the money for more? Every other night, Pyper discarded the torn, beaten clothes from her body, showered and found new clothes. The choices were depleting due to the risky nature of her outdoor endeavors. Maybe Jesse did have a point she could connect with. "I can replace what I ruined," she agreed, entirely missing the point. Although so long as Phoenix's hand-me-down drawer was well kept, it counted as providing for herself. "This is comfortable. They will try to have me wear what they wear. They have too much skin. I just like this."
<Jesse Fforde> Jesse laughs and nods again. "You have a point. You are you, the way you are, and would do no good to turn you into a clone. Practical, is what it is," he says. He has this preconcieved notion that people like clothes that they can go out in. Clothes that will get them noticed. He's often verbally reprimanding Leah for the lack of clothes she wears, especially given the weather, and the secrets they are supposed to keep. But it's one thing Leah seems to fail to grasp; the one thing she doesn't do that Jesse asks her to. "Too much skin. I like that. I'm going to use that."
<Pyper> Jesse reminded Pyper more of Paige than anyone else she'd managed to find an audience with. It irked her, that people needed to keep her bubbled from harm. Protect her, and hold her from indulging in - rather damaging but enjoyed - hobbies. This man, a sibling which was new to her vocabulary, didn't cushion her. Use that soothing, maternal voice. It was a voice used on infants; Pyper was twenty-four years old. During more lucid stretches of time, it infuriates her. "Use it? What do you use the skin for?" Roderic used animal parts for crafts. Her lamp was still settled on the pillow next to the one she used. It had been a rabbit once.
<Jesse Fforde> "Well I don't use it for anything. I mean, I'm going to use that turn of phrase on Leah. She has too much skin," he says with a smirk. Though, knowing Leah, she'd take it as a compliment, and furhter reason as to why she should show it off. On the other hand, Jesse gives a thoughtful frown and half a shrug. "I do like skin, obviously, as a canvas. I don't go ripping it off people or anything. It works better as a canvas if it stays on the body," he adds. He does quite like skin, like an arist picking and choosing between his favourite materials.
<Pyper> The many times Leah and Pyper have had an encounter, the latter had always appeared overdressed for whatever outting, or indoor activities they managed to fall into the natural swing of. "A man had a shop once. I had a tree, a bush. Some canvas. It was blue. It didn't rain on me. The shop had jars in it, the man did art. Like you. In the jars, there were frogs. Suspended but their bellies had markings. Patterns, clear. Frogs were dead." Maybe Jesse knew the artist she was talking about. He had been local but the intricate designs mounted on the underbellies of the anatomy amphibians spread via the internet. Pyper long since forgot his name, or the shop's.
<Jesse Fforde> Jesse listens to Pyper, though he's not sure he understands what she's saying. She had a tree and a bush? A blue canvas. No rain. It doesn't sound like anything Jesse's ever seen or heard of before, and wonders whether it might not have been some dream she might have had, that she's mistaken for reality. Rather than assume too much, however, he decides to just go with it. "Can't say I've heard of the place," he says, shaking his head. "But you... do you like to draw?" he asks. He assumed that when she said she would bring pictures, that she would find something close to what she wanted, rather than draw them herself. But now she has him curious.
<Pyper> Not knowing what places Jesse's ever known aside from Harper Rock, maybe he didn't know the park in Chenney, Wyoming. For a couple years, she'd lived in a crevice near the edge of a thicket of woods, hiding beyond sight of streetlights and the sharp attention of the police. As was said to Phoenix earlier in the night, Pyper's powers mutated and evolved. Although a chaotic disaster from start to finish, her thoughts could drill into another's mind. Some part of her wanted to show Jesse the park from her memory. So many others were shouting to be heard. Not a good idea anymore. "I'm not good, I like to. My fingers need to move. I like the guitar."
<Jesse Fforde> "Most artists thing they're not any good," Jesse says. Though he knows that he will be seeing her work, now. Soon. "I can be the judge of that. Though, you should never trust just one person's opinion, either," he adds. He knows that people's tastes differ. he knows that art to one person is just scribble to another. It's a hobby that he himself could never give up. Even when blind, he still tried. He failed, but it was still a soothing endeavour. "Guitar is good. Can't say I've ever played an instrument."
<Pyper> Hands position themselves as though cradling a guitar now. Despite nothing there, no weight to aid in hovering off the ground, the act was convincing. Overactive hallucinations twisted and bent her reality without warning signs. Auditory functions interrupted, sounds of her old guitar as background noise. A soundtrack. Her fingers strummed, wriggled. It made her smile; it's the only thing that could make her smile even years and years ago. "If I had one, I could teach you. Same as when you see my art. It needs teaching. Willing to learn. I prefer paints."
<Jesse Fforde> Jesse smiles, watching her. There's something completely different about Pyper. She doesn't deter him with her oddness. Rather, she is a breath of fresh air. And it is nice to see her smile. "I prefer ink, obviously. And charcoal. And watercolour - but I do have some paint lying around, too," he says. He dabbles in a lot of things - whatever is required to bring the picture in his head to life. There's a sound nearby - a lazy shuffling. A zombie - it hasn't seen them. "I think it's how I keep a journal," he admits, turning his attention back to Pyper. Again, he leans his shoulder against the brick. "The drawing - it's more cathartic than the writing," he adds.
<Pyper> Regardless of still having to outrun one out of every six zombies, Pyper's level of awareness of the surrounding areas diminished. One could have come up beside Jesse without coverage and still bit into her neck. Pyper would have still been taken off guard. "I try a journal. No drawing in it. Just words. I have a hard time, figuring days. It'll help. Can I see your journal?" Interest showed in the way the invisible guitar dropped from her grasp and she stared. It isn't an intense, unblinking stare. In fact, Pyper perpetually looked on the verge of slipping to sleep, if anything. So it held expectance. Of an accepted invitation or the decline of allowing her to see more private thoughts.
<Jesse Fforde> Jesse arches a brow; his other senses are all on alert. He won't be taken off guard by any shuffling, ambling, stupid creature. He regards Pyper's question in silence for a while. It seems such an innocent question and for a second he's almost tricked into considering it. He slowly shakes his head, though. "No," he says. Neither the written one, or the one with all his drawings. There are too many of Grey. And he wouldn't risk it. "Maybe one day. Not right now, though," he adds. "Would you let people read yours?" he asks, out of curiosity.
<Pyper> A journal came more as a notebook, a record of events to turn back to. First headshot wound, the sunbathing experience. Things to be nostalgic about without having to repeat. To have any person come up and rifle through its contents didn't stir an unwell fit in her. "What I write. I say. The book is for me. I don't write things other people can't know. You can read mine. I left it on the bed, though. When you're ready. Switch them. Leah is in it. You are."
<Jesse Fforde> Jesse chortles, but nods. "Sure. I don't know where your bed is, though. I might look it, but I'm not a creep who goes stalking through people's bedrooms," he says, an odd glint to his eye. There really isn't much in his written journal, but there are things about his past he'd prefer not everyone know about. His drawings? A lot of them would be open to interpretation. A lot Phoenix's dying, really, from a while back. Recently, quite a few snakes. A lot of fire. He's not really protecting anything but Grey. "Leah though, huh? What do you have to say about Leah?" he asks, again curious.
<Pyper> A first show of reluctance in furthering the conversation. Leah had become a very consistent part of her day although lately, it's been her will to become a semi-permanent fixture. "She acts peculiar. Because of feelings." Their sire hadn't appreciated Pyper's open book policy. It was a safe assumption that Jesse didn't need to know every event in his childe's life. Vagueness had a delicate touch, needed for these types of subjects.
<Jesse Fforde> "Her feelings?" Jesse asks. He's not usually curious about this kind of thing. But Leah is very protective of Pyper, and Jesse himself tends to be very protective of his own spawn. He might not show it so much, but it's invisible thing, a rankled hate for anyone who might want to take them away, or hurt them. Given recent discoveries about his own peculiar curses, he finds himself strangely attached to those he turns. "Are they reciprocated? Do you... feel the same?" he asks.
<Pyper> Phoenix wondered these things to but Pyper wasn't in a position to understand Leah's sights on her. Many nights, it was the same questions. Every one, the same answers from the hispanic. "I don't know. Never thought about other people. Like that." A palm ground into her jaw, fingers all splayed out from one another. "I like her company. To know things about her. See her. It's like Paige and Phoenix. You. Want to understand platonic connections. First." It frazzled her nerves, this particular topic. Mainly because Leah's advances were unrelenting and speaking to the person who made her - despite sibling status equality - was like speaking to an authority figure.
<Jesse Fforde> Jesse has no idea how Pyper's brain works. He has no idea how her thoughts connect one to the other, or whether her emotions come into play. She has a lot of curiosity, yes, but he has yet to see her upset, or angry. Or jealous. She says she wants to understand platonic connections, first. As if she's never had any of those before. He wonders whether Leah knows that. He cants his head to the side, considering. Pyper does act a lot, sometimes, like a child. Does she have the capacity for that kind of love? It's probably none of Jesse's business. "Yes, well. Platonic is easy," he answers. And grins. "There's no peculiarity. Because of feelings," he adds.
<Pyper> Another roughly practiced smile manipulated the edges of her mouth, corners twitching but lifting all the same. Jesse could get it; he's shown to her that he understands and rather encourages some of her queer behavior. Not being looked down on, but being looked equal to - not something to be fixed - made her chest warm. Or perhaps it was something imagined in that bustling head. "I agree. No complications." Worrisome, they were. Leah did want more and had become vocal of her desires, if not very blunt about them. It made Pyper nervous, her knowledge of the areas Jesse's childe wanted to trench through were a trial and error process for this telepath.
"You don't coddle. I am a person, not to be swaddled and cooed at. You get that. Thank you." Not often but nights when other members of her family tried to protect her from hunters, or herself, flared a simmering anger in her. Never completely surfacing enough to cause conflict, it still lurked behind the placid expression like a phantom using a curtain as coverage to hide appearances.
<Jesse Fforde> "I don't think I know how to coo. And I don't coddle. Ever. Ask Leah," he says with a grin. Oh yeah, he knows how they are with Pyper. There was a whole conversation - nay, argument - about Pyper the weekend before, at the impromptu gathering that just so happened to take place at Larch Court. Vaguely, Jesse has an idea that he might invite Pyper along to the next one. At least, then, she'll be there to defend herself against those who see her as someone to be swaddled and cooed at. "Besides which, I'm sure Phoenix does enough of that," he says. Maybe testing the waters. Is she a sire that others might desire, and turn to? And had it just gone wrong between he and Pheonix due to circumstance and a clash of personality?
<Pyper> Either thumb pecked at the corresponding number. T9. A baffling vomit of sporadic, random numerical sequences. Yet it's something that drew her in. The blonde recalled the patterns of numbers, rather than the letters that created her words. Now, she wrote, "Do we have time?"
<Jesse Fforde> Jesse, feeling oddly restless, had taken to the Quarantine Zone. He'd given all his zombie ears to Ursula, and now he needs more. Micah had asked for some, and for once, Jesse had nothing to give. He didn't like having nothing to give. Zombies are easy. Maybe a little boring, but at least they give him something to do. He takes a half a minute to answer his phone; he feels it vibrate in his pocket, but has to dispatch of the zombie in front of him, before wiping sheathing his weapon and wiping his hands. Only then did he check the text. Pyper. He arches a brow, and responds. "By my calculation, we have eternity."
<Pyper> Pyper nearly asked to see the numerical data to support such a definitive statement. Do vampires really not age, as in some Hollywood movies? Or did their cellular structures endure more time, but ultimately deteriorate until they become nothing more than piles of toxic organic material? Maybe Jesse did know but the explanation would have certainly taken more than a six page limit text. "Eternity is unfathomable. Now is more realistic. Where are you?" Pyper abruptly asked the question, unable to ease into it from the daunting concept of forever. Transitions had never been very important to Pyper.
<Jesse Fforde> Jesse keeps the phone in his hand, sauntering toward the exit of the Graveyard - his blue eyes darted to and fro, keeping a close eye on his surroundings so as not to be caught off guard by some creeper. It would be embarassing, to have his *** kicked by a zombie just because he isn't paying attention. The phone buzzes again, and he finds a spot near the gate - he has his back to it, and a view of everything in front of him. He smirks. "Graveyard. QZ." He responds. He can be equally as prompt.
<Pyper> The door to the asylum always groaned loudly whenever a person came in, or left. Underneath the low rumble, a high octave squeal. Pyper's shoulders came up, neck sinking into the gap that eventually descended to become her torso. Relatively clean by Leah's persistent chatter, her arms held none of the bite marks like before. Her skin had been rubbed raw and without climbing very far into the sewers, remained untarnished by the grime. Phoenix's clothes were too big for her; so settling for the sleep t-shirt and sweatpants panned as the only option. A tie held her hair up. Kinky curls spilled over the bunched hair.
Jesse is an unmistakable character, and being that Pyper only knew so few, he's spotted immediately after she closed the distance from the asylum to the graveyard entrance. "Good.." her eyes dart up to meet with moon, ".. night, Jesse," it didn't make sense to say good morning, or evening. It wasn't either.
<Jesse Fforde> Jesse stands with his shoulder leaning against the brick post of the Graveyard's gate. The iron gates themselves had long since decayed, twisted and broken, laying in the grass at their feet. His own feet are clad in black and white Vans, his legs in a pair of dark jeans, his torso in just a black shirt depicting the tarot card for 'death'. He has one ankle crossed over the other as he waits for Pyper's response, and while he waits, flicking through the thread topics on the Fforde Crownet. He's not expecting Pyper to all of a sudden appear; his head snaps up as she greets him. "Goodnight?" he asks, straightening up. "Normally that's like saying goodbye," he says, followed by: "Hi."
<Pyper> Pyper assumed goodbye was more like saying goodbye. It was why goodnight was selected as a more viable option of greeting. None of it explains why 'hi,' wasn't among that list. A bag swung, skimming over the rumpled looking cotton pants bunched in odd places. A collection of rat tails and zombie ears. The smell aided to keep her motivated to hunt, it reminded her of it when her mind grasped the idea of finding another hunter to maim herself with. Phoenix was already fuming at her hours ago about it. "I didn't have time to bring the pictures. They smeared when I took them hunting. Yesterday. Letting them dry on Phoenix's bed." And how she'll love it.
<Jesse Fforde> Jesse also has a bag slung over his shoulders; a tartan messenger bag. One that he used to use to carry around his sketchbook and supplies, but whicn now has been commandeered to stuff zombie ears and vials of feral blood into. He puts his phone to sleep and slips it back into his pocket, where his hand also remains. He gives a shrug. "That's fine. Perhaps in future keep them in a safe place, rather than take them hunting with you," he says with a smirk. Only then, really, taking notice of Pyper's attire - it's curious, to be sure, but he supposed it would be up to one of the girls to get her some better clothing. Still. "Is this your hunting get-up?"
<Pyper> To Pyper, Jesse gave the external evidence for her to conclude he always adorned that smile. It's crooked, like one side got lazy in its posture and went slack. It wasn't a displeased expression, not from the ones other have worn in the past around her. She took his advisement under vague consideration; in order to do that in the future, the blonde was required to draw more pictures. These last two nights taught her that sitting still wouldn't be tolerated. "Get-up?" Amid her forefinger and thumb, the t-shirt's pinched and stretched out from her form. Let go, it bounced back into place. A minute tent as remaining evidence of what she'd done. "I had no clothes. Phoenix's throwaways."
<Jesse Fforde> Jesse gives a nod. A slight curious frown. There's something about Pyper - like she wouldn't particularly care too much what she looked like, or even realise that others might judge her for it. It is endearing, in a way. She doesn't care. It's not a practiced and adopted philosophy, however, but seems more like... she doesn't care because she just doesn't know. Blissful ignorance. He had an image of Phoenix just throwing old clothes at Pyper - he had to shake it from his head. Surely not. His nod is slow. "You should get one of the girls to take you shopping. I'm sure they'd be up for it," he says.
<Pyper> If she had a shirt and pants, why would she go and pay the money for more? Every other night, Pyper discarded the torn, beaten clothes from her body, showered and found new clothes. The choices were depleting due to the risky nature of her outdoor endeavors. Maybe Jesse did have a point she could connect with. "I can replace what I ruined," she agreed, entirely missing the point. Although so long as Phoenix's hand-me-down drawer was well kept, it counted as providing for herself. "This is comfortable. They will try to have me wear what they wear. They have too much skin. I just like this."
<Jesse Fforde> Jesse laughs and nods again. "You have a point. You are you, the way you are, and would do no good to turn you into a clone. Practical, is what it is," he says. He has this preconcieved notion that people like clothes that they can go out in. Clothes that will get them noticed. He's often verbally reprimanding Leah for the lack of clothes she wears, especially given the weather, and the secrets they are supposed to keep. But it's one thing Leah seems to fail to grasp; the one thing she doesn't do that Jesse asks her to. "Too much skin. I like that. I'm going to use that."
<Pyper> Jesse reminded Pyper more of Paige than anyone else she'd managed to find an audience with. It irked her, that people needed to keep her bubbled from harm. Protect her, and hold her from indulging in - rather damaging but enjoyed - hobbies. This man, a sibling which was new to her vocabulary, didn't cushion her. Use that soothing, maternal voice. It was a voice used on infants; Pyper was twenty-four years old. During more lucid stretches of time, it infuriates her. "Use it? What do you use the skin for?" Roderic used animal parts for crafts. Her lamp was still settled on the pillow next to the one she used. It had been a rabbit once.
<Jesse Fforde> "Well I don't use it for anything. I mean, I'm going to use that turn of phrase on Leah. She has too much skin," he says with a smirk. Though, knowing Leah, she'd take it as a compliment, and furhter reason as to why she should show it off. On the other hand, Jesse gives a thoughtful frown and half a shrug. "I do like skin, obviously, as a canvas. I don't go ripping it off people or anything. It works better as a canvas if it stays on the body," he adds. He does quite like skin, like an arist picking and choosing between his favourite materials.
<Pyper> The many times Leah and Pyper have had an encounter, the latter had always appeared overdressed for whatever outting, or indoor activities they managed to fall into the natural swing of. "A man had a shop once. I had a tree, a bush. Some canvas. It was blue. It didn't rain on me. The shop had jars in it, the man did art. Like you. In the jars, there were frogs. Suspended but their bellies had markings. Patterns, clear. Frogs were dead." Maybe Jesse knew the artist she was talking about. He had been local but the intricate designs mounted on the underbellies of the anatomy amphibians spread via the internet. Pyper long since forgot his name, or the shop's.
<Jesse Fforde> Jesse listens to Pyper, though he's not sure he understands what she's saying. She had a tree and a bush? A blue canvas. No rain. It doesn't sound like anything Jesse's ever seen or heard of before, and wonders whether it might not have been some dream she might have had, that she's mistaken for reality. Rather than assume too much, however, he decides to just go with it. "Can't say I've heard of the place," he says, shaking his head. "But you... do you like to draw?" he asks. He assumed that when she said she would bring pictures, that she would find something close to what she wanted, rather than draw them herself. But now she has him curious.
<Pyper> Not knowing what places Jesse's ever known aside from Harper Rock, maybe he didn't know the park in Chenney, Wyoming. For a couple years, she'd lived in a crevice near the edge of a thicket of woods, hiding beyond sight of streetlights and the sharp attention of the police. As was said to Phoenix earlier in the night, Pyper's powers mutated and evolved. Although a chaotic disaster from start to finish, her thoughts could drill into another's mind. Some part of her wanted to show Jesse the park from her memory. So many others were shouting to be heard. Not a good idea anymore. "I'm not good, I like to. My fingers need to move. I like the guitar."
<Jesse Fforde> "Most artists thing they're not any good," Jesse says. Though he knows that he will be seeing her work, now. Soon. "I can be the judge of that. Though, you should never trust just one person's opinion, either," he adds. He knows that people's tastes differ. he knows that art to one person is just scribble to another. It's a hobby that he himself could never give up. Even when blind, he still tried. He failed, but it was still a soothing endeavour. "Guitar is good. Can't say I've ever played an instrument."
<Pyper> Hands position themselves as though cradling a guitar now. Despite nothing there, no weight to aid in hovering off the ground, the act was convincing. Overactive hallucinations twisted and bent her reality without warning signs. Auditory functions interrupted, sounds of her old guitar as background noise. A soundtrack. Her fingers strummed, wriggled. It made her smile; it's the only thing that could make her smile even years and years ago. "If I had one, I could teach you. Same as when you see my art. It needs teaching. Willing to learn. I prefer paints."
<Jesse Fforde> Jesse smiles, watching her. There's something completely different about Pyper. She doesn't deter him with her oddness. Rather, she is a breath of fresh air. And it is nice to see her smile. "I prefer ink, obviously. And charcoal. And watercolour - but I do have some paint lying around, too," he says. He dabbles in a lot of things - whatever is required to bring the picture in his head to life. There's a sound nearby - a lazy shuffling. A zombie - it hasn't seen them. "I think it's how I keep a journal," he admits, turning his attention back to Pyper. Again, he leans his shoulder against the brick. "The drawing - it's more cathartic than the writing," he adds.
<Pyper> Regardless of still having to outrun one out of every six zombies, Pyper's level of awareness of the surrounding areas diminished. One could have come up beside Jesse without coverage and still bit into her neck. Pyper would have still been taken off guard. "I try a journal. No drawing in it. Just words. I have a hard time, figuring days. It'll help. Can I see your journal?" Interest showed in the way the invisible guitar dropped from her grasp and she stared. It isn't an intense, unblinking stare. In fact, Pyper perpetually looked on the verge of slipping to sleep, if anything. So it held expectance. Of an accepted invitation or the decline of allowing her to see more private thoughts.
<Jesse Fforde> Jesse arches a brow; his other senses are all on alert. He won't be taken off guard by any shuffling, ambling, stupid creature. He regards Pyper's question in silence for a while. It seems such an innocent question and for a second he's almost tricked into considering it. He slowly shakes his head, though. "No," he says. Neither the written one, or the one with all his drawings. There are too many of Grey. And he wouldn't risk it. "Maybe one day. Not right now, though," he adds. "Would you let people read yours?" he asks, out of curiosity.
<Pyper> A journal came more as a notebook, a record of events to turn back to. First headshot wound, the sunbathing experience. Things to be nostalgic about without having to repeat. To have any person come up and rifle through its contents didn't stir an unwell fit in her. "What I write. I say. The book is for me. I don't write things other people can't know. You can read mine. I left it on the bed, though. When you're ready. Switch them. Leah is in it. You are."
<Jesse Fforde> Jesse chortles, but nods. "Sure. I don't know where your bed is, though. I might look it, but I'm not a creep who goes stalking through people's bedrooms," he says, an odd glint to his eye. There really isn't much in his written journal, but there are things about his past he'd prefer not everyone know about. His drawings? A lot of them would be open to interpretation. A lot Phoenix's dying, really, from a while back. Recently, quite a few snakes. A lot of fire. He's not really protecting anything but Grey. "Leah though, huh? What do you have to say about Leah?" he asks, again curious.
<Pyper> A first show of reluctance in furthering the conversation. Leah had become a very consistent part of her day although lately, it's been her will to become a semi-permanent fixture. "She acts peculiar. Because of feelings." Their sire hadn't appreciated Pyper's open book policy. It was a safe assumption that Jesse didn't need to know every event in his childe's life. Vagueness had a delicate touch, needed for these types of subjects.
<Jesse Fforde> "Her feelings?" Jesse asks. He's not usually curious about this kind of thing. But Leah is very protective of Pyper, and Jesse himself tends to be very protective of his own spawn. He might not show it so much, but it's invisible thing, a rankled hate for anyone who might want to take them away, or hurt them. Given recent discoveries about his own peculiar curses, he finds himself strangely attached to those he turns. "Are they reciprocated? Do you... feel the same?" he asks.
<Pyper> Phoenix wondered these things to but Pyper wasn't in a position to understand Leah's sights on her. Many nights, it was the same questions. Every one, the same answers from the hispanic. "I don't know. Never thought about other people. Like that." A palm ground into her jaw, fingers all splayed out from one another. "I like her company. To know things about her. See her. It's like Paige and Phoenix. You. Want to understand platonic connections. First." It frazzled her nerves, this particular topic. Mainly because Leah's advances were unrelenting and speaking to the person who made her - despite sibling status equality - was like speaking to an authority figure.
<Jesse Fforde> Jesse has no idea how Pyper's brain works. He has no idea how her thoughts connect one to the other, or whether her emotions come into play. She has a lot of curiosity, yes, but he has yet to see her upset, or angry. Or jealous. She says she wants to understand platonic connections, first. As if she's never had any of those before. He wonders whether Leah knows that. He cants his head to the side, considering. Pyper does act a lot, sometimes, like a child. Does she have the capacity for that kind of love? It's probably none of Jesse's business. "Yes, well. Platonic is easy," he answers. And grins. "There's no peculiarity. Because of feelings," he adds.
<Pyper> Another roughly practiced smile manipulated the edges of her mouth, corners twitching but lifting all the same. Jesse could get it; he's shown to her that he understands and rather encourages some of her queer behavior. Not being looked down on, but being looked equal to - not something to be fixed - made her chest warm. Or perhaps it was something imagined in that bustling head. "I agree. No complications." Worrisome, they were. Leah did want more and had become vocal of her desires, if not very blunt about them. It made Pyper nervous, her knowledge of the areas Jesse's childe wanted to trench through were a trial and error process for this telepath.
"You don't coddle. I am a person, not to be swaddled and cooed at. You get that. Thank you." Not often but nights when other members of her family tried to protect her from hunters, or herself, flared a simmering anger in her. Never completely surfacing enough to cause conflict, it still lurked behind the placid expression like a phantom using a curtain as coverage to hide appearances.
<Jesse Fforde> "I don't think I know how to coo. And I don't coddle. Ever. Ask Leah," he says with a grin. Oh yeah, he knows how they are with Pyper. There was a whole conversation - nay, argument - about Pyper the weekend before, at the impromptu gathering that just so happened to take place at Larch Court. Vaguely, Jesse has an idea that he might invite Pyper along to the next one. At least, then, she'll be there to defend herself against those who see her as someone to be swaddled and cooed at. "Besides which, I'm sure Phoenix does enough of that," he says. Maybe testing the waters. Is she a sire that others might desire, and turn to? And had it just gone wrong between he and Pheonix due to circumstance and a clash of personality?