Re: Jagged Edges (Zelda/PM/Invite)
Posted: 07 Sep 2013, 09:26
Zelda is twitchy, too. She’s not sure whether it’s the acoustics of the place, or whether it’s some newfangled sense of hearing that she seems to have acquired, but the voices in the next room are booming. It doesn’t matter that Micah takes his time responding, because Zelda, too, is distracted by the conversation that seems to have broken out in the next room. She can hear every word. Do they realise that she can hear every word? The fact that Nyla can’t figure out how to make it no big deal, can’t figure out how to make it not suck, has Zelda assuming that it’s going to suck anyway. Better to get it over and done with—move on, accept it, assuming that it’s something that cannot be changed. She feels as if she is dead inside. Truly, she feels as if she is a corpse. A corpse that can function like a normal human being—but that lack of a heartbeat has her flinching, inwardly. Yeah… it doesn’t seem likely that you can bring a person back to life. Not when they’re this far dead.
Whoever the stranger is, though, she speaks soothingly to Nyla. And though the words aren’t directed at Zelda, they succeed in calming her down, too. She doesn’t know any of these people from boo, but they seem to be helping her—or are in the process of starting. What’s done is done. She could freak out. She could yell and scream and screech and tear her hair from their follicles, but what good would that do, really? She may dress like a damsel in distress. She may enjoy her perfect hair, and her perfect nails, and her fashion trends, but under no circumstance, ever, will she act like the damsel she appears to be.
Her attention snaps back to the only male in the trailer; Micah’s voice is like a thrumming bass line, reverberating through her head. Soothing, too, in its own way. He apologises for scaring her, and it’s at those fateful words that Zelda’s jaw sets, her mouth pressing into a straight line. Sure, she’s terrified. But she doesn’t want to show it. She never stooped so low as to beg for her life the night before—she’s not going to make a disgrace of herself now.
Starving. Yeah, she’s something. She’s not sure if it’s starving, but her body craves something more. Something nourishing. Hell, anything to make all the aches and pains go away—at this point, she doesn’t quite care what she has to do. Micah suggests that they leave the room. Zelda’s looking forward to leaving the trailer completely—to getting some fresh air. But baby steps are required. Shakily, she pushes herself away from the temporary bedding. Her head spins as she reaches her full height; she takes a steadying breath, and holds her shoulders straight—a show of strength.
”I’m not scared,” she said to Micah, tone clipped. She then walked from the room—someone must have removed her skates. She’s not as graceful as she might want to be, but she manages to walk without slipping, without tripping over thin air. Curious, like a cat in a new place, Zelda glances around the trailer. The cage is still there. There’s an acrid smell—something acidic, covered up with something imitating sweetness. She’s afraid that she might have stumbled onto her death scene, and even now she veers away from that cage as if it might swallow her whole. She keeps it out of her vision as she makes her way to the small kitchenette.
”Let’s just get it over and done with,” she says, outright to Nyla. She glances sideways at the stranger, and licks her lips. ”It’s not a big deal if I don’t make it a big deal,” she says. Sure. Zelda has the tendency to overreact to things, a lot of the time. But she’ll make an effort for it to be different—at least for tonight. Maybe.
Whoever the stranger is, though, she speaks soothingly to Nyla. And though the words aren’t directed at Zelda, they succeed in calming her down, too. She doesn’t know any of these people from boo, but they seem to be helping her—or are in the process of starting. What’s done is done. She could freak out. She could yell and scream and screech and tear her hair from their follicles, but what good would that do, really? She may dress like a damsel in distress. She may enjoy her perfect hair, and her perfect nails, and her fashion trends, but under no circumstance, ever, will she act like the damsel she appears to be.
Her attention snaps back to the only male in the trailer; Micah’s voice is like a thrumming bass line, reverberating through her head. Soothing, too, in its own way. He apologises for scaring her, and it’s at those fateful words that Zelda’s jaw sets, her mouth pressing into a straight line. Sure, she’s terrified. But she doesn’t want to show it. She never stooped so low as to beg for her life the night before—she’s not going to make a disgrace of herself now.
Starving. Yeah, she’s something. She’s not sure if it’s starving, but her body craves something more. Something nourishing. Hell, anything to make all the aches and pains go away—at this point, she doesn’t quite care what she has to do. Micah suggests that they leave the room. Zelda’s looking forward to leaving the trailer completely—to getting some fresh air. But baby steps are required. Shakily, she pushes herself away from the temporary bedding. Her head spins as she reaches her full height; she takes a steadying breath, and holds her shoulders straight—a show of strength.
”I’m not scared,” she said to Micah, tone clipped. She then walked from the room—someone must have removed her skates. She’s not as graceful as she might want to be, but she manages to walk without slipping, without tripping over thin air. Curious, like a cat in a new place, Zelda glances around the trailer. The cage is still there. There’s an acrid smell—something acidic, covered up with something imitating sweetness. She’s afraid that she might have stumbled onto her death scene, and even now she veers away from that cage as if it might swallow her whole. She keeps it out of her vision as she makes her way to the small kitchenette.
”Let’s just get it over and done with,” she says, outright to Nyla. She glances sideways at the stranger, and licks her lips. ”It’s not a big deal if I don’t make it a big deal,” she says. Sure. Zelda has the tendency to overreact to things, a lot of the time. But she’ll make an effort for it to be different—at least for tonight. Maybe.