Re: Grit (Every)
Posted: 23 Apr 2019, 10:00
She joins him on the floor of the sewers with further words of derisive advice and then a soft thud. Her supernatural elegance is juxtaposed perfectly by her aggressiveness. Sullivan hasn’t known her long enough to call her by name, but he’s so accustomed to her attitude that he automatically laughs cheerfully at everything she says. The laugh is in his eyes more than it is a sound to fill the stale, stinking air. It also shows in the way his face changes into a vision of relaxed joy and unrestrained mirth. People like Sullivan have flexible brains; like all that humour bubbling around in him is yoga for the synapses. It’s easier to smile and laugh in these situations, and it’s better than to get upset or pissed off which, at the end of the day, is exhausting in and of itself.
Julius Cesar once famously wrote that the one who gets angry ends up being worse than before he got angry. Gregory the Great also said that the punishment of those who hate is their own hatred which consumes them. For those reasons, to “kill them with kindness” is the best way you can react against someone who has done some wrong to you. This will leave them confused, as they probably expect anger or hatred, and all you have for them is kindness. Hatred kills. Killing with kindness is the opposite of killing with hatred. It is to be able to rise above your emotions, control yourself, control the situation, and show everyone that there is nothing in this world that will make you turn into someone else. It’s a sign of strength, love, and of humanity to others - for hatred leads to anger and anger leads to suffering.
“Well that’s a relief,” he says. “I can handle dead people and mushrooms.”
It’s not long before his mirth transforms into confusion and she has him dumbstruck, though. Sullivan doesn't know what to say at first, which isn't typical behaviour for him. He generally has a choice of wisecracks and silly remarks to utilise for any occasion; he is the human equivalent of a Swiss Army humour device. Her comment about unconscious bigotry has him at a complete loss, however. He can't tell for certain, but, from the less scathing nature of her tone and the way her eyes aren't quite rolling at him, Sullivan is willing to put money on the fact that she might finally be coming around to him. She even gives him a name to call her by, which could be fake, but he’s happy with the olive branch and actually kind of likes it. He's never met an Every before and it's probably because they broke the mould with this one.
By the golden arc of his lighter’s glow, Every’s facial features are exaggerated and her colours are muted. In the dimness, her eyes turn from their mix of chocolate and lime shades to a singular black which makes each pupil indiscernible. She looks different in the dark – intimidating, despite her size. It makes his stomach perform an uncomfortable flip. The light bouncing around those cracked walls bleeding moisture from the sodden earth makes him just as uncomfortable. He reaches into his jacket for an extra source of light, but the battery of his smart phone is at 33% - it won’t give them even 10 minutes before dying out completely, so he makes do with what he has for now, or at least until his lighter fluid burns up. Sullivan feels better for hearing her voice ringing in his ears, even if she has nothing nice to say about him again.
“I have a gun,” he says with a light smirk to correct her earlier assumption. “I just ran out of bullets. There were a lot of zombies before you came. I actually thought it was the gunfire that drew you out of hiding and to me. Did you not hear that? I’m pretty sure our giant friend did. It’s like I was ringing the dinner bell for him. Her. It. Or, whatever the hell that thing is.”
As if its ears are burning at the mention, the tunnel they are in trembles when the beast slams its body against the ground above. The motions come like labour pains - irregular in strength and frequency, broken by muted wails and cries. Sullivan doesn’t notice that he’s holding his breath until his chest burns, forcing an exhale.
“That is one angry mother—”
His breathless complaint is bitten off and spat back out when the creature roars like a bull before stampeding away. He waits for a moment, until the earthquakes become barely decipherable sound waves, then finishes his sentence.
“—******.”
Julius Cesar once famously wrote that the one who gets angry ends up being worse than before he got angry. Gregory the Great also said that the punishment of those who hate is their own hatred which consumes them. For those reasons, to “kill them with kindness” is the best way you can react against someone who has done some wrong to you. This will leave them confused, as they probably expect anger or hatred, and all you have for them is kindness. Hatred kills. Killing with kindness is the opposite of killing with hatred. It is to be able to rise above your emotions, control yourself, control the situation, and show everyone that there is nothing in this world that will make you turn into someone else. It’s a sign of strength, love, and of humanity to others - for hatred leads to anger and anger leads to suffering.
“Well that’s a relief,” he says. “I can handle dead people and mushrooms.”
It’s not long before his mirth transforms into confusion and she has him dumbstruck, though. Sullivan doesn't know what to say at first, which isn't typical behaviour for him. He generally has a choice of wisecracks and silly remarks to utilise for any occasion; he is the human equivalent of a Swiss Army humour device. Her comment about unconscious bigotry has him at a complete loss, however. He can't tell for certain, but, from the less scathing nature of her tone and the way her eyes aren't quite rolling at him, Sullivan is willing to put money on the fact that she might finally be coming around to him. She even gives him a name to call her by, which could be fake, but he’s happy with the olive branch and actually kind of likes it. He's never met an Every before and it's probably because they broke the mould with this one.
By the golden arc of his lighter’s glow, Every’s facial features are exaggerated and her colours are muted. In the dimness, her eyes turn from their mix of chocolate and lime shades to a singular black which makes each pupil indiscernible. She looks different in the dark – intimidating, despite her size. It makes his stomach perform an uncomfortable flip. The light bouncing around those cracked walls bleeding moisture from the sodden earth makes him just as uncomfortable. He reaches into his jacket for an extra source of light, but the battery of his smart phone is at 33% - it won’t give them even 10 minutes before dying out completely, so he makes do with what he has for now, or at least until his lighter fluid burns up. Sullivan feels better for hearing her voice ringing in his ears, even if she has nothing nice to say about him again.
“I have a gun,” he says with a light smirk to correct her earlier assumption. “I just ran out of bullets. There were a lot of zombies before you came. I actually thought it was the gunfire that drew you out of hiding and to me. Did you not hear that? I’m pretty sure our giant friend did. It’s like I was ringing the dinner bell for him. Her. It. Or, whatever the hell that thing is.”
As if its ears are burning at the mention, the tunnel they are in trembles when the beast slams its body against the ground above. The motions come like labour pains - irregular in strength and frequency, broken by muted wails and cries. Sullivan doesn’t notice that he’s holding his breath until his chest burns, forcing an exhale.
“That is one angry mother—”
His breathless complaint is bitten off and spat back out when the creature roars like a bull before stampeding away. He waits for a moment, until the earthquakes become barely decipherable sound waves, then finishes his sentence.
“—******.”