It was at times like these that Lancaster wished that he played heavy metal music, rather than the calm folk kind. He wished he had a double-headed lead electric to plug in. No… no, a very large set of drums. Yeah, drums. Drums. He had some of those, somewhere. Upstairs. Three floors up, above Bunk Backpackers. That whole floor above the pub that he and Pi would do something with at some point, somewhere, but they had so many other places to call their own, what did they really need with this one?
So Lancaster had slowly turned it into a storeroom, of sorts. A storeroom that didn’t have soundproofing or anything, but that’s where the drums were. A spare set that didn’t fit at Curlew Music. A set that he probably shouldn’t play because it would be for sale at some point. Or was it actually a set that was there to be fixed for a customer? Had he fixed it already? **** knows.
Dust flew up around him as he settled his long limbs onto the small stool. He might have looked ridiculous had the set been any smaller. But it was a larger set. A set worthy of Lancaster’s height and the brevity of his mood. Sure, it had been a few nights since the texted interaction with Skylar. Sure, Lancaster had his moments of calm. He had to deal with customers and focus on figures and pays and paperwork. But then he’d walk away and get a moment to himself and it would all come back, and he’d get angry all over again.
At the time he’d blamed his volatility on the full-body sunburn he’d accrued due to being tossed out of a window by some **** that he couldn’t track or gain any retribution from. Maybe that’s why he had replied to Skylar the way he had, rather than with his usual calm sincerity. Maybe he should have calmed down by now, but Skylar’s reaction rubbed him all the wrong ways. He told himself he hadn’t gone to talk to her yet because he was giving her time to calm down, but he couldn’t lie. Couldn’t even lie to himself. It was the exact opposite.
The bass drum was music to Lancaster’s ears. He almost smiled as he rolls his head on his shoulders and twirled the sticks in his hands. He started slow. He found the rhythm. And then he let loose. A barrage of crash and china and splash, of toms and snares and a gluttonous amount of bass. It still had a rhythm, of course; there was logic to the sound, and he wasn’t bashing the drums just for the sake of bashing them. Music was a way of ventilation. It was how Lancaster freed himself of his bottled emotions, because he refused to do so via violence. Though, the drums might disagree that this was not a form of violence. Drums were masochistic instruments, however. They liked getting bashed. They lived for it.
The song the drums sang was one of fury, though always with that lilt of guilt and a hint of anxiety. A song that Lancaster tried to add to with his voice, but it was cracked and discordant. But he couldn’t really hear his voice over the drums.
And everyone down below could probably hear the drums, too. Maybe not so much the people in the bar, unless they had really good hearing. But the people at the backpackers on the second floor would be able to hear them through the floor, for sure. And those out on the street? Definitely.
But Lancaster didn’t care.
So Lancaster had slowly turned it into a storeroom, of sorts. A storeroom that didn’t have soundproofing or anything, but that’s where the drums were. A spare set that didn’t fit at Curlew Music. A set that he probably shouldn’t play because it would be for sale at some point. Or was it actually a set that was there to be fixed for a customer? Had he fixed it already? **** knows.
Dust flew up around him as he settled his long limbs onto the small stool. He might have looked ridiculous had the set been any smaller. But it was a larger set. A set worthy of Lancaster’s height and the brevity of his mood. Sure, it had been a few nights since the texted interaction with Skylar. Sure, Lancaster had his moments of calm. He had to deal with customers and focus on figures and pays and paperwork. But then he’d walk away and get a moment to himself and it would all come back, and he’d get angry all over again.
At the time he’d blamed his volatility on the full-body sunburn he’d accrued due to being tossed out of a window by some **** that he couldn’t track or gain any retribution from. Maybe that’s why he had replied to Skylar the way he had, rather than with his usual calm sincerity. Maybe he should have calmed down by now, but Skylar’s reaction rubbed him all the wrong ways. He told himself he hadn’t gone to talk to her yet because he was giving her time to calm down, but he couldn’t lie. Couldn’t even lie to himself. It was the exact opposite.
The bass drum was music to Lancaster’s ears. He almost smiled as he rolls his head on his shoulders and twirled the sticks in his hands. He started slow. He found the rhythm. And then he let loose. A barrage of crash and china and splash, of toms and snares and a gluttonous amount of bass. It still had a rhythm, of course; there was logic to the sound, and he wasn’t bashing the drums just for the sake of bashing them. Music was a way of ventilation. It was how Lancaster freed himself of his bottled emotions, because he refused to do so via violence. Though, the drums might disagree that this was not a form of violence. Drums were masochistic instruments, however. They liked getting bashed. They lived for it.
The song the drums sang was one of fury, though always with that lilt of guilt and a hint of anxiety. A song that Lancaster tried to add to with his voice, but it was cracked and discordant. But he couldn’t really hear his voice over the drums.
And everyone down below could probably hear the drums, too. Maybe not so much the people in the bar, unless they had really good hearing. But the people at the backpackers on the second floor would be able to hear them through the floor, for sure. And those out on the street? Definitely.
But Lancaster didn’t care.